CM 60

Mounts to drum rims, the edge of acoustic guitar sound holes or the bell of wind instruments for accurate sound reproduction and isolation from other instruments
Tight cardioid polar response is highly effective in suppressing feedback and unwanted sounds
Rubber boom shockmount’s ingenious design minimizes vibration and audio transference from resonant instruments or materials
Sturdy rubber-grip spring clamp holds mic securely and prevents marring of finish
Built-in windscreen, as well as external windscreen included, for maximum feedback and “pop” rejection
Adjustable gooseneck and swivel joint allows optimum microphone positioning
For use with bodypack transmitters or with standard mixers that provide 9-52V phantom power.